Posts

Showing posts from October, 2015

iPhone to Davinci Resolve - Import and Edit iPhone MOV/MP4 files in Davinci Resolve 11/10/9

Image
Are you eager to find iPhone MOV/MP4 video clips to DaVinci Resolve solutions? This is a step-by-step guide about how to import iPhone videos to DaVinci Resolve 11/10/9. DaVinci Resolve combines the world’s most advanced color corrector with professional multi track nonlinear video editing. You can switch between editing and grading with a click of the mouse for a true nonlinear workflow. Now you can edit, finish and grade faster than ever before, all from one system! DaVinci Resolve has all of the creative tools you need to work on everything from indie films to the largest Hollywood blockbusters! Well, I'm using an iPhone 6 to record, Davinci Resolve to color correct and edit, then how to import and edit iPhone MP4 or MOV files within DaVinci Resolve ? Here Brorsoft Video Converter for Mac is highly recommended to you which is designed to deal with iPhone videos for editing in NLEs with optimized codecs including DNxHD for DaVinci Resolve/Avid, Apple ProRes for FCP, AIC for

Sony FS5 4k in Adobe PP - Ingest Sony PXW-FS5 XAVC files to Adobe Premiere Pro CC/CS6/CS5

Image
In this article, we will offer a simple way to edit Sony PXW-FS5 4k XAVC clips in Premiere CC/CS6/CS5. The Sony FS5 is the world's first Super35mm camcorder* with a built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND filters, the electronic ND filter on the FS5 can be controlled from 1/4ND to 1/128ND linearly. This makes the FS5 ideal for fast-moving shoots in changeable environments - there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control. 240fps Slow Motion High Frame Rate shots can turn everyday actions into slow-motion ballet and the FS5 delivers a stunning 240 frames per second (fps) in Full HD XAVC 10bit 4:2:2. If your project plays at the cinematic 24p, you get beautiful 10x Super Slow Motion. There's no sacrifice in bit depth and no "windowing" of the sensor. So ther